Work Experience
His responsibilities have included devising institutional policies, developing audience engagement strategies, overseeing financial operations, and coordinating recruitment activities.
Contribution to Prachyanat
He has been deeply involved in managing multiple wings of Prachyanat, such as the Prachyanat School of Acting and Design, the Theatre-in-the-Open program, Theatre-lab productions, the Research Cell, and Prachyanat for Children.
Under his leadership, these programs have flourished, integrating diverse artistic disciplines while remaining rooted in strong cultural values. Through consistent strategic planning and creative innovation, Toufikul has helped position Prachyanat as a model of sustainability and excellence in Bangladesh’s cultural landscape.
Diverse Theater Career
His roles have ranged from emotionally charged dramatic parts to complex psychological characters, showcasing his adaptability and artistic depth. Many of these performances were part of Prachyanat’s core programming and often toured nationally or were featured in festivals, enhancing both his reputation and the visibility of Bangladeshi theatre.
Toufikul’s acting career is both rich and diverse. He has performed in numerous productions, including major classical and contemporary works. Some notable performances include:
In 1998, Kazi Toufiqoul Emon took to the stage in Circus Circus, a vibrant and energetic drama that combined humor with insightful social commentary. This early performance showcased Emon’s natural charisma and ability to engage audiences with dynamic expression. The play’s whimsical setting allowed him to explore a variety of characters and emotions, contributing to a memorable theatrical experience. His participation in Circus Circus marked an important step in his career, laying the groundwork for his future successes in theatre. The production was well-received for its lively pace and creative storytelling, with Emon’s role earning particular praise.
In 1999, Emon appeared in the acclaimed drama A Man for All Seasons, which revolves around the moral struggle of Sir Thomas More during King Henry VIII’s reign. Emon’s portrayal captured the conflict between personal integrity and political pressure, highlighting the importance of standing by one’s principles. His nuanced performance brought depth to the complex character interactions, engaging the audience in the ethical dilemmas of the time. This production further established Emon’s reputation as a thoughtful and skilled actor capable of tackling serious and historically significant themes with sensitivity and gravitas.
Kazi Toufiqoul Emon’s role in The Maiden (2001) was a compelling exploration of youth and innocence. The play focused on the transition from childhood to adulthood and the challenges of self-discovery. Emon’s sensitive performance brought emotional authenticity to the story, helping to draw audiences into the protagonist’s inner world. The production was praised for its intimate storytelling and relatable themes, and Emon’s ability to connect with the audience on a personal level was a standout feature. His role demonstrated his versatility in handling both dramatic and introspective material.
In The Rhinoceros (2003), Emon embraced the absurdist style of Eugène Ionesco’s famous play. His performance captured the dark humor and satirical critique of conformity and societal pressure. Emon’s skillful balance of comedic timing and dramatic intensity allowed him to bring the surreal narrative to life, engaging the audience in reflection on human behavior and social dynamics. The play’s unique style challenged traditional theatrical conventions, and Emon’s adaptability and creativity were key to its success. This production highlighted his ability to navigate complex, abstract material with ease and confidence.
In 2008, Emon acted in Raja Ebong Annanya, a drama blending traditional Bengali themes with contemporary storytelling techniques. His role in this production showcased his deep understanding of cultural nuances and his ability to connect modern audiences with classic narratives. The play’s focus on identity, power, and human relationships was enriched by Emon’s thoughtful portrayal, which brought emotional depth and authenticity. His performance was praised for bridging the gap between tradition and innovation, making the story both relevant and compelling for diverse audiences.
Also in 2008, Emon appeared in Kinu Kahar er Thetar, a play deeply rooted in Bangladeshi culture and social issues. His performance highlighted the struggles and resilience of everyday people, bringing a heartfelt and honest portrayal to the stage. Emon’s involvement helped emphasize the play’s message about social justice and human dignity. His ability to embody relatable characters with empathy made this production impactful, fostering a connection between the audience and the societal themes explored. The play was well-received for its authenticity, with Emon’s role contributing significantly to its success.
In 2009, Emon performed in When We Dead Awaken, a thought-provoking play by Henrik Ibsen. The drama explores themes of art, life, and self-realization, and Emon’s portrayal brought emotional depth to the characters’ existential struggles. His nuanced acting captured the complexity of the human condition, drawing the audience into the characters’ inner conflicts and desires for renewal. The production was noted for its introspective atmosphere and philosophical depth, with Emon’s performance praised for its subtlety and intensity. This role highlighted his ability to engage with challenging material and convey profound emotional experiences.
Kazi Toufiqoul Emon’s role in Mayer Mukh (2011) focused on family dynamics and emotional reconciliation. The play explored the intricate relationships between mothers and children, highlighting themes of love, sacrifice, and forgiveness. Emon’s sensitive and heartfelt performance helped bring authenticity to the story, engaging audiences emotionally. His portrayal was praised for its depth and warmth, reflecting a keen understanding of the complexities of familial bonds. This production reinforced Emon’s reputation for delivering powerful performances that resonate on a personal level, touching upon universal themes with sincerity and grace.
In Bon Manush (2013), Emon acted in a drama centered on the relationship between humans and nature. The play emphasized themes of environmental awareness and harmony with the natural world. Emon’s portrayal highlighted the importance of respect and coexistence, engaging audiences with his earnest performance. The production used powerful imagery and symbolism, and Emon’s role helped to personify the play’s message about the fragile balance between humanity and the environment. His involvement underscored his commitment to socially relevant theatre that inspires reflection and positive change.
Kazi Toufiqoul Emon’s role in Inspector Calls (2016) was pivotal in bringing to life J.B. Priestley’s social thriller. The play explores themes of responsibility, class, and morality through the investigation of a mysterious death. Emon’s performance was marked by intensity and nuance, effectively conveying the tensions between characters. His ability to portray complex emotions and ethical conflicts made the production compelling and thought-provoking. The play was lauded for its social relevance, and Emon’s contribution significantly enhanced its impact, encouraging audiences to reflect on their own societal roles and duties.
In the 2019 drama Pulsiraat, Emon explored themes of emotional turmoil and human relationships. His performance was notable for its depth and expressiveness, conveying complex interpersonal conflicts with sensitivity. The play’s intense narrative allowed Emon to demonstrate his range, moving seamlessly between moments of vulnerability and strength. Audiences praised his ability to create believable and relatable characters, making the emotional core of the story resonate. This production showcased Emon’s continuous growth as an actor and his dedication to portraying the complexities of the human experience.
In Khawabnama (2019), Emon acted in a play that creatively intertwines dreams and reality. His role required a delicate balance between fantasy and grounded emotion, which he delivered with finesse. The production explored themes of hope, imagination, and the subconscious, engaging the audience with its poetic storytelling. Emon’s portrayal was praised for its subtlety and ability to evoke deep feelings while maintaining clarity in a complex narrative. His performance contributed significantly to the play’s atmospheric and evocative nature, showcasing his versatility in handling abstract and symbolic material.
Emon’s 2019 performance in The Zoo Story brought to life Edward Albee’s intense one-act play that delves into themes of isolation and human connection. His compelling portrayal captured the tension and emotional depth between two strangers meeting in a park. Emon’s ability to express vulnerability and raw emotion drew the audience into the psychological and existential dialogue. The production was praised for its intimate staging and powerful performances, with Emon’s role standing out as a highlight. This play reaffirmed his skill in engaging audiences through profound and challenging material.
In 2020, Emon acted in No One Writes to the Colonel, an adaptation of Gabriel García Márquez’s novella. The play explores themes of hope, perseverance, and despair through the story of an aging colonel waiting for a pension. Emon’s nuanced performance captured the character’s resilience and quiet dignity, conveying deep emotional layers with restraint and power. The production was noted for its poetic storytelling and poignant atmosphere, with Emon’s portrayal drawing critical acclaim. His work in this play highlighted his ability to embody complex characters facing hardship with humanity and grace.
In Gaza Monologues (2023), Emon participated in a powerful theatrical project that presents personal stories from Gaza amid ongoing conflict. His performance brought empathy and urgency to narratives of struggle, resilience, and hope. The play’s raw and authentic storytelling required emotional commitment and sensitivity, qualities Emon delivered with distinction. His involvement underscored his dedication to socially conscious theatre and global issues. The production aimed to raise awareness and foster solidarity, with Emon’s role contributing to its impactful and moving presentation.
In 2023, Emon acted in “Seven Steps Around the Fire,” a drama that explores themes of reconciliation, healing, and human connection following trauma. His nuanced portrayal conveyed the emotional complexities of forgiveness and understanding. The production’s intimate setting and powerful narrative provided a space for reflection and emotional catharsis, with Emon’s performance being central to its success. Audiences praised his ability to communicate subtle shifts in character and emotion, making the story resonate deeply. This play demonstrated Emon’s continued commitment to meaningful theatre that explores the depths of the human spirit.
His roles have ranged from emotionally charged dramatic parts to complex psychological characters, showcasing his adaptability and artistic depth. Many of these performances were part of Prachyanat’s core programming and often toured nationally or were featured in festivals, enhancing both his reputation and the visibility of Bangladeshi theatre
His directorial work with children further highlights his commitment to arts education. He has directed children’s plays such as:
Tin Soldier and Paper Ballerina,
Bagher Saja,
Kupokat and Drighanchu,
Which not only nurtures young talent but also introduces youth audiences to meaningful storytelling. These productions often incorporate moral lessons, folklore, or social themes, reflecting his belief in theatre as a tool for ethical and emotional development. Toufikul has also worked as a voice artist, narrator, and scriptwriter for various media platforms, showcasing his versatility beyond the physical stage.
Contribution to Theater Teaching
Simultaneously, since 2001, Toufikul has worked as a full-time Drama Teacher at Scholastica School, one of the country’s premier English-medium institutions. In this role, he has shaped a new generation of young actors, thinkers, and performers by delivering a comprehensive drama curriculum from primary to A-level students.
His curriculum includes the history of drama, techniques of acting, ensemble work, and scriptwriting, thus equipping students not only with performance skills but also with the analytical and collaborative competencies required in creative industries. He is also responsible for preparing lesson plans, setting and evaluating assignments, leading rehearsals, designing sets and lighting schemes, and mentoring students throughout their artistic development.
His teaching methodology combines classical acting theory with modern performance practices, encouraging students to master voice modulation, stage movement, improvisation, and script analysis. In addition to teaching, he directs annual school productions that blend literary depth with creative stagecraft, offering students hands-on experience in theatre-making.
His leadership within the school’s drama department has fostered a vibrant theatrical culture, enriching the broader educational experience of his students.